CLASSROOM LANGUAGE

CLASSROOM LANGUAGE

1. Definition of Classroom Language

Classroom Language is the language that used by teacher to communicate with their students. More specifically, some consideration will be given to the why and how of teaching culture. It will be demonstrated that teaching a foreign language is not tantamount to giving a homily on syntactic structures or learning new vocabulary and expressions, but mainly incorporates, or should incorporate, some cultural elements, which are intertwined with language itself. Furthermore, an attempt will be made to incorporate culture into the classroom by means of considering some techniques and methods currently used. The main premise of the paper is that effective communication is more than a matter of language proficiency and that, apart from enhancing and enriching communicative competence, cultural competence can also lead to empathy and respect toward different cultures as well as promote objectivity and cultural perspicacity.

2. The use of Classroom Language

The use of Classroom Language is to encourage students to speak only in English in the classroom, make sure they know simple transactional phrases that they can use to manage their interaction. Often these phrases come so naturally in the native language that it's difficult to break the habit. To help everyone learn and remember this, make a list of these phrases on the board (or put them on a poster for the classroom) and add additional similar phrases as the need arises. It can also used cartoons with multi panels. They provide more material for communicative questioning and discussion. However, the choice of carton that you choose to demonstrate or practice a particular point will naturally depend on the theme, grammatical or cultural component you are teaching or examining. It is important to decide beforehand why you want to use it and how you want to use it. Ask yourself the question, "What knowledge do I want the students to demonstrate by interpreting this cartoon?" As mentioned previously try not to deal with multiple aspects at one time. Perhaps you simply want to illustrate or have the students demonstrate their knowledge of vocabulary or expressions related to emotions. However, nothing is stopping you from returning to the cartoon at a later date to talk about intonation and stress in the language and how it can change the meaning of what is said. As before, don't overuse the cartoon. I suggest you keep it simple and use other examples to illustrate supplementary points.

The absence of a title or any written dialogue allows your students to use their imagination and express themselves orally or in written form (I have primarily used cartoons to stimulate oral expression. I have used writing as a possible extension, a re-investment of the activity). Such an exercise allows students to defend their point of view and also to explore their interpretations of possible dialogue and scenarios. It is motivating and interesting to have students suggest a before and after sequence to the situation illustrated by the cartoon. Students willingly offer possible "before" and "after" segments and delight in coming up with the most original. This particular aspect of the lesson can take place after each individual panel or once all panels have been shown.

To add variety to the use of such cartoons you may want to present the first several panels together and solicit an ending to the story or an interpretation of the story. Presenting the panels one at a time makes the activity more communicative and intriguing as students confirm or don't confirm their interpretations of what will happen next. More discussion and fun is had as the story unfolds with each segment. Anticipation builds as you approach the final panel. The ending takes on a greater value as everyone waits for the true ending! Another approach is to ask your students to actually create, or imagine the dialogue for each panel. It could be an opportunity to introduce or review expressions of emotion, in this case, anger and despair. For example one could use a cartoon that depicts, what one would assume, is a mother scolding her child. However, in the final panel we discover that it is the house pet. If the class was an ESL class students could possibly come up with the following examples of ways to expression displeasure and disappointment:

* "I'm not very happy with you."

* "I'm very upset with your behavior."

* "I'm very saddened, unhappy, disappointed, bitterly disappointed..."

* "I'm very annoyed."

* "I'm very disillusioned, discontented, heavy-hearted..."

* "I'm so ashamed, pained, ..."

* "We (speaking for both parents) are so weary, tired, disgusted..."

* "We are furious, incensed, infuriated, enraged by this behavior... "

* "We feel blighted, dejected by this whole affair."

You may want to examine the role of intonation, stress and syllabication related to such a situation, on another occasion or at another point in your lesson. Vocabulary work begins immediately with the presentation of the first panel, when the class begins to describe the scene and brainstorm what they see and understand to be happening. Examples of open-ended communicative questions that force students to go beyond a simple "yes" or "no" could be:

1. "Describe what you see in the first panel." "Where does the story take place?"

2. "To whom is the woman speaking?" "Imagine what she is saying."

3. "What do you think happened before this story began?"

4. "How will the story end?"

As with the multidimensional approach we seek to have students reinvest what they have learned by completing an extension activity or enrichment activity. A possible example suggested by Lavenne (1988) and enjoyed by students is to write the story as if reporting the news for a newspaper, if the cartoon can be adapted for such a reinvestment. If students aren't aware of the structure of a newspaper article it would be good to review it and provide authentic examples. Students can then model the style correctly in writing his or her own news report. Another option is to have students write out the dialogue. As in the case of this cartoon, researching and writing the dialogue to share with the class could be fun and entertaining. Such an exercise is motivating and enables you to see if students have mastered, in written form, the point of grammar, structure, vocabulary or expressions of emotions you have taught and have examined with them.